A Conversation with Brigitte Wolf, April Featured Artist

 
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What are your earliest memories of art? How did you become an artist yourself?

I was mainly inspired by a painting I found by my mother after her passing. I had no idea that she had such a talent and decided to further my curiosity and interest in art I always had. I wondered what she would have been able to accomplish had she had the opportunity to study art. My earliest memories are how much easier it was as a child to express yourself through painting.

What has been your evolution as an artist?

When I began creating art, I did not do so very seriously. Since my children grew up, I have begun to develop my skills in both painting and sculpture. I have studied at the School of the Art Institute of Chicago, The Noyes Center, Palette and Chisel, and the Evanston Art Center. I think it’s difficult beyond that to express how I have evolved as an artist, but my work often explores the human form, especially in dance and other movement.

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Are there any artists who have inspired and influenced you in your work? If so, who are they?

There have been a number of artists that have influenced me. When I began painting, I was mostly inspired by the old masters. More recently, I have been influenced by expressionist and more playful artists like Picasso, Guston, Miro, Chagall, Jean Dubuffet, and Ty Twomby.

Can you describe your process for creating a work?

While the size of the canvas mostly influences what I paint, I am exhilarated by the challenge of evoking ideas in the viewer. Brushstrokes on the canvas give me the freedom to do anything I envision as I work. Thus, I do not have a traditional process, but instead create the work as I paint.

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Your work seems to revolve around specific colors – blues, oranges, and yellows in particular. Can you talk a little bit about the role of color in your paintings?

When creating a work, I really don’t think that much about a color’s role in the art. I just tend to use the colors that I prefer, which include blues, greens, and whatever compliments them. I then use these colors in different ways in the paintings that I create.

Where do you see your work going from here?

I am not thinking about what comes next in my work. Sometimes I feel everything has been said and expressed, and discover that there is aways a new way to express a thought or feeling. In this way, my work evolves as I paint.

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ArtistsCynthia Burr