Cart 0

Angela Saxon


 

My recent monotypes focus on moving water and vast water/skyscapes. I use soft rubber brayers to apply ink (rather than brushes which I typically use in painting) to layer overlapping shapes. By varying the pressure I apply to the brayer, I am able to achieve painterly marks.

Specifically the series is focused on vistas of Lake Michigan — the majestic clouds and ever-changing horizon, breaking waves, and flat calm waters. It’s been exciting to see how this series of monotypes, even though smaller in scale than my paintings on canvas, portray expansive space.

I have painted all my life and only took up printmaking in the last few years. I had wondered why an artist would make a monotype when they could just as easily make a painting? How could it be that different?

The opportunity to explore that very question came about in 2019. A good friend and fellow artist has a large Conrad printing press — we dusted it off and began to play. It was instant addiction.

In my paintings, ideas evolve over time, sometime for years on a single canvas. Each mark is visible as added, and there are hundreds of small reactions, mark after mark — looking and making decisions, moving forward until the painting is complete.

In my monotypes, marks are also made one after the other, each reacting to the next, but because of the process they are layered on a plate (for me that is 1/8” plexiglass). It is challenging to know absolutely how all those marks are going to print when transferred, via pressure, to paper to yield the monotype.

Printing ink is quite different from paint. Transparency is harder to gauge based on application of ink. And the final monotype is a reversed image from the one painted on the plate. So while I ‘think’ I know what’s going to happen, there are always surprises. It’s truly a ‘wow’ moment every time I pull a print.

Incorporating printmaking into my artistic practice has been an expansive experience for me creatively. I am gaining an ever-widening ‘vocabulary’ of marks that I use across my spectrum of art making.

 

Angela Saxon


Education

/ BFA in Painting from Indiana University

Selected Exhibitions + Awards + Collections

2022 

/Guest Artist/Printmaking, Tusen Takk Foundation, MI

2021 

/Painters Printing Residency, Miller Beach Arts & Creative District, IN

2020

/ Painters Printing/Miller Station, Gary, IN

/ Leland Open Air Sale, Leland MI

/ Leelanau County Art Tour, Glen Arbor, MI

2019

/ In the Quiet, Solo Exhibition, Hudson Gallery, OH

/ As Shade to Sun, Solo Exhibition, Vivid Art Gallery, Winnetka, IL

2018

/ Look/See, Featured Artist, Vivid Art Gallery, Winnetka, IL

/ Irregular Symmetry of Pattern, Group Show, Wright Gallery, Northport, MI

/ Rock, Cashmere Sweater, collaborative exhibition with Carol Spaulding, The Provincial, Kaleva, MI

/ Cities like Dreams, Swamps Where Cedars Grow, The Provincial, Kaleva, MI

2017

/ Solo Exhibition, Warm Springs Gallery, VA

/ 7th Annual New Paintings Exhibition, Leland, MI

/ Prince Street Gallery Juried Show, NYC

/ Painting residency, Rome and the Sabina region, Italy

2016

/ Featured Painter, ARTWALK, Michigan Artists Gallery, Traverse City, MI

2015

/ Italian Residency: San Casciano

/ Art in America on Tour, curated by Julie Torres, featuring work by one artist from each of the 50 states, The Satellite Show, Miami, FL; Elizabeth Stone Harper Gallery, Clinton, SC

/ “This Land,” 5-person exhibition, Hudson Gallery, Sylvania, OH

/ “Scapes,” Roan + Black, Saugatuck, MI

/ “Small Works” group exhibition, Tvedten Fine Arts, Harbor Springs, MI

/ Painting Leelanau: 5th Annual, Old Art Building, Leland

/ ”Figural”, BLK MRKT, Traverse City

2014

/ Italian residency: Rome, Florence, Assisi

Best in Show: Leland Air

2013

/ “Art of the Sleeping Bear Dunes,” group exhibition and full color book; Dennos                       Museum Center

/ Solo exhibition: Warm Springs Gallery, Charlottesville, VA

/ Best in Show: Leland Air, plein air event, Leland

2012

/ 4th place, Northwest Michigan Regional Exhibition, Dennos Museum Center, Traverse City

/ Painting Leelanau: 2nd Annual, Old Art Building, Leland

2011

/ Interpreting Leelanau: Exhibit at the Old Art Building, Leland, MI

/ Group Landscape Exhibit, Water Street Gallery

2010

/ Landscape Exhibition, Water Street Gallery

2009

/ “The Saugatuck Dunes: Artists Respond to a Freshwater Landscape”, full color book

/ American Places + Spaces, Water Street Gallery

/ Chicago Salon: One-Person Exhibition

/ One-Person Exhibition: Mezzanine Gallery, Cleveland

/ His, Hers and Theirs: Exhibition with Royce Deans showing individual work
as well as collaborative series at Gallery Fifty, Traverse City

/ Ann Arbor Salon: One-Person Exhibition

2008

/ Nature Interpreted, Group Exhibition, Emily Amy Gallery, Atlanta, GA


/ Art in Embassies program collection, Kinshasa, Democratic Republic of Congo


/ Sky & Water, Group Exhibition, Water Street Gallery, Douglas, MI

2007

/ Jon Stryker private collection, Kalamazoo, MI

2006

/ Northwest Michigan Regional Exhibition, Dennos Museum, Traverse City


2004

/ 1st Place, 24th Juried Fine Arts Exhibition, Crooked Tree Arts Center, Petoskey, MI

/ One-Person Exhibition, Michigan Artists Gallery, Suttons Bay, MI

2002

/ One-Person Exhibition, Water Street Gallery

/ One-Person Exhibition, Lake Street Studios, Glen Arbor, MI

2001

/ Honorable Mention, Int’l Society of Experimental Artists,  Dennos Museum

2001

/ Honorable Mention: Oils & Acrylics, A Juried Show, Traverse Area Arts Council

/ Group Exhibition, Landscapes of Community, Dennos Museum Center

2000

/ Group Exhibition, Seven, Parallel Arts Gallery, Northport, MI


/ Landscapes of Community, Group Exhibition, Dennos Museum Center

1998

/ Second Place: All-Media Show, Traverse Area Arts Council

1996

/ First Place: All-Media Show, Traverse Area Arts Council

/ Regional Exhibition, Dennos Museum, Juror: MaryAnn Wilkinson, DIA